13.
A:
The term was coined by Cleanth Brooks in 1925.
B:
It is said to be a critical error of analysing a work of art in terms of ‘ its results in the mind of the audience’.
C:
It marks the ‘affective turn’ in criticism, which represents an attempt to turn away from the poststructuralist ‘linguistic turn’.
D:
The term was defined by Wimsatt and Beardsley in Practical Criticism
The answer is: B